Cockyboys knows how to save something mediocre.

---

 

I don’t love everything. I’ve been accused of that before, and it’s not true. It’s just a symptom of my making a concerted effort not to talk about stuff here that I don’t like. What’s the point in my telling you that something was bad or that I hate a particular performer? Who does that benefit?

But sometimes, I’m sort of aggressively indifferent to something without totally knowing why. Dato Foland is that. He’s fine – all the parts are there and he knows how to do what he’s doing. There’s just no ZING! to him for me. I’d rather not watch him for literally no specific reason. So when I saw this matchup on Cockyboys my initial reaction was “ok, what else is there?” But I watched it anyway.

What a fool I am to think that somebody like Levi Karter and the pros at Cockyboys wouldn’t be able to pull something magical out of this setup. This scene is completely beautiful and organic feeling and shot like a music video. I don’t know what I can say to sell this better than it sells itself:

 

 

Maybe I’m stuck in music video mode because I’m convinced that that scene was just set to the karaoke track to one of my elementary school jams, Donna Lewis’ I Love You Always Forever.   Seriously. Go listen to that instrumental and tell me that’s a different song.

 

I love it. Always. Forever.

 

 

 

The real reason this worked, was because Levi Karter knows how to be photographed, he knows how to give it up for the camera, and he knows how to fuck. Dato Foland could literally have been anyone and this would have been amazing.
Don’t tell anybody, but here’s the link to the longer clip of this that I’m not supposed to post or something. But you really should go see the full version. It’s totally spectacular.

 

 

– tyler